Uninfluenced by illumination outside this critical area and with no other assistance from the camera it allows a photographer full creative control.
Fitted only with a spot meter that precisely targets and measures light in the central area of the viewfinder. Contax S2 top downĬontax continued with its simple is the best philosophy on the S2’s metering system. Dust and weatherproofed, and using a traditional winding system, it was a reliable camera that was not dependent on batteries or electronics.
#Contax g2 test photos manual#
Instead, they made a fully manual camera with a shock protected mechanical metal shutter that could fire at up to 1/4000 second. So Contax’s daring gamble to do away with all but the most essential of camera operations was indeed novel for its time. In the 1990s, the best 35mm SLRs were packed with electronics and sophisticated automation reaching a zenith of auto-everything. By selecting the mechanical over the electronic the S2 was an uncomplicated camera that turned its back on automation. Released in 1992 to celebrate Contax’s 60th anniversary, the S2 was a pared-down, totally manual camera with limited features. I sought and bought this camera for many reasons but overwhelmingly what attracted me most was its pure simplicity. One camera I do know well is my over-protected CONTAX S2. Digital is edited to introduce “grain” in simulation.Over 500 people have signed up for EMULSIVE Santa 2021, the world's largest annual film/traditional photography gift exchange! Time is short, click here to register by October 31st. Film is softer, smoother, more of a continuous function than a step function. Other than the cliche about being less clinical, I'd say the film photo is more of what I recall as a photo, as I choose orange juice from concentrate over fresh and fake maple syrup over real the preference might be nothing more than an artifact of my personal history, and the next generation will not have the same reference point. But the analog traditionally is displayed an album, while the contemporary digital is stored in the cloud - any pile of digital photos is a pile metaphorically only. I have not done a "blind" test, but I think I could spot the analog in a pile of the digital. To my eye, the film and the digital photos each have their own qualities. I also shoot with a "normal" focal length and in daylight. I have no regrets.Īs anyone who curious to experiment probably would, I have made a few pairs of matching photos, under fair conditions in the sense of good weather and equitable for assessment. These are the risks you take with internet purchases.
#Contax g2 test photos professional#
I had to send it away for professional servicing. A friend informed me that used equipment from humid environments is prone to this problem. My particular unit had a bit of fungus, as if someone had left a fingerprint on the inside. The 45mm lens is the legendary piece of kit that supposedly inspires some to convert to this system. I also bought an adapter to allow mounting of the glass on the digital mirrorless Lumix that was my re-introduction to this hobby. I acquired the proprietary 45mm and 90mm lenses. It is compact but solid, unique in design. Yet with a titanium body and a set of Zeiss lenses, loaded with batteries, it has always been something of a cult classic. With its nosily clanking, single point autofocus system, coupled with an awkward dial on the front of the body if you wish to do it yourself, it is not for purists about mechanical devices. It remains the antithesis of its rival, the Leica. The Contax G2 is a rangefinder, not an SLR, but automated, not manual.
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